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(Peling) Dri Ging, Punakha Tsechu: Day One [Wide shot]

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(Peling) Dri Ging, Punakha Tsechu: Day One [Wide shot]

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Title
(Peling) Dri Ging, Punakha Tsechu: Day One [Wide shot]
Additional title: Dance of the Ging with Swords (Peling Tradition)
Names
Core of Culture (Organization) (Producer)
Core of Culture (Organization) (Donor)
Collection

Bhutan Dance Project, Core of Culture

Dates / Origin
Date Created: 2005
Library locations
Jerome Robbins Dance Division
Shelf locator: *MGZIDF 783A
Topics
Dance -- Bhutan
Folk dancing -- Bhutan
Dance -- Religious aspects -- Buddhism
Rites & ceremonies -- Bhutan
Masks -- Bhutan
Sword-dance -- Bhutan
Dzongs -- Bhutan -- Punakha (District)
Punakha (Bhutan : District)
Festivals -- Bhutan
Ritual and ceremonial dancing -- Bhutan
Mask dances -- Bhutan
Genres
Filmed dance
Filmed performances
Notes
Additional physical form: For close shot version, see: *MGZIDF 783B.
Biographical/historical: The Punakha Tsechu (as opposed to the Punakha Drubchen) is of recent origin, having been first performed in 2005. Dasho Thinley Gyamtsho, the Principal of RAPA, was asked to create a new dance spectacle to help inaugurate the Tsechu, and he devised a new piece, taking three days to perform, The Coming of the Zhabdrung which recounts the history of Zhabdrung, Nagawang Namgyal particularly as it relates to his arrival in Punakha and the building of the Punakha Dzong, Pungthang Dechen Phodrang.
Content: Programme for the Punakha Tsechu, Day One: Feb. 18, 2005: Thongdrel Jyekha - Viewing of the Thongdrel of Zhabdrung Ngawang Namgyal ; Shazam - Dance of the Four Stags ; Zhabdrung Zednam - The Coming of the Zhabadrung (Dance Drama) ; Tsechu Zhanag (Nyer Chig) Cham - Dance of the Black Hats (21 Forms) ; Nyulemai Cham - The Dance of the Evil Spirit ; Peling Jug Ging - The Dance of the Ging with sticks ; Peling Dri Ging - The Dance of the Ging with swords ; Peling Nga Ging - The Dance of the Ging with Drums.
Venue: Videotaped in performance at the main courtyard, Punakha Dzong, in Punakha, Bhutan (camera on 1st floor balcony), on Feb. 18, 2005.
Acquisition: Gift; Core of Culture. NN-PD
Biographical/historical: Pungthang Dechen Phodrang Dzong (The Palace of Great Bliss) in Punakha was constructed by Zhabdrung Ngawang Namgyel in 1637-38 and is of great historical significance. Located on a stretch of land where two rivers, the Phochu and Mochu, coverage, the Dzong appears as great anchored ship. It was here that the Zhabdrung died in 1651. Again, it was here that the first hereditary Monarch of Bhutan, King Ugyen Wangchuck, was enthroned just over one hundred years ago, on 17th December 1907. Punakha served as the winter capital of the Kingdom until 1955, (after which the capital moved to Thimphu) and Punakha Dzong continues to be the winter residence of the Central Monastic Authority (CMA) the main monk body of the Drukpa Kagyu School.
Physical Description
Born digital
Extent: 1 video file (16 min.) : sound, color
Description
The Peling Ging-Sum (the three dances of the Ging in the Pema Lingpa tradition) are three dances that are performed around the country in a particular sequence. The Ging-Sum comprises three dances: Jug Ging, Dri Ging and Nga Ging which show the forces of good in direct combat with evil spirits who plague living beings with their constant suasions to commit wrong. Jug means baton or wand and the Jug Ging are spirits tasked to search out the prtesence of evil (using their wands as sensitive instruments to find out the direction in which evil lies). The Dri Ging - who carry swords - subjugate evil with their weapons before punishing and slaying (with compassion) any such evil spirits found. The Nga-ging - who each carry a drum - perform a victory dance at having overcome the evil spirits, and also ensure that even those conquered evil spirits are still prayed for and ultimately liberated from their evil ways. These three dances are considered to have been reveled by Terton Pema Lingpa in the 16th Century - and they are thus known as ter-cham or (revealed) treasure dances. They express a coherent choreographic and dramatic intention on the great Saint s part. They are most often performed together with nyulemai cham (Dance of the Evil Spirit) which serves as an active and visible reference to the existence of evil in the world - and the nyulema is often captured and dispatched by the Jug bearing Ging of the first of these dances.
Type of Resource
Moving image
Identifiers
NYPL catalog ID (B-number): b19876388
Universal Unique Identifier (UUID): 867c6270-e50e-0130-55d1-3c075448cc4b
Copyright Notice
Core of Culture
Rights Statement
This item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).

Item timeline of events

  • 2005: Created
  • 2013: Digitized
  • 2020: Found by you!
  • 2021

MLA Format

Jerome Robbins Dance Division, The New York Public Library. "(Peling) Dri Ging" The New York Public Library Digital Collections. 2005. http://digital.gallery.nypl.org/items/89591850-e50e-0130-8993-3c075448cc4b

Chicago/Turabian Format

Jerome Robbins Dance Division, The New York Public Library. "(Peling) Dri Ging" New York Public Library Digital Collections. Accessed January 17, 2020. http://digital.gallery.nypl.org/items/89591850-e50e-0130-8993-3c075448cc4b

APA Format

Jerome Robbins Dance Division, The New York Public Library. (2005). (Peling) Dri Ging Retrieved from http://digital.gallery.nypl.org/items/89591850-e50e-0130-8993-3c075448cc4b

Wikipedia Citation

<ref name=NYPL>{{cite web | url=http://digital.gallery.nypl.org/items/89591850-e50e-0130-8993-3c075448cc4b | title= (moving image) (Peling) Dri Ging, (2005)|author=Digital Collections, The New York Public Library |accessdate=January 17, 2020 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>

(Peling) Dri Ging