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The bronze ornaments of the palace gates of Balawat (Shalmaneser II, B.C. 859-825) edited, with an introduction by Samuel Birch ; with descriptions and translations by Theophilus G. Pinches

Collection History

The materials selected for the debut of this evolving digital collection include classics of illustrated travel and regional archaeology, as well as the Library's earliest works of photography in the Middle East region. In general, they came to the Library from the founding collections of the Astor and Lenox libraries; these institutions had in turn acquired many titles as contemporary illustrated publications of their time. The digital collection ranges to the turn of the last century when entrepreneurial photographers and publishers mass-produced handsome mounted photographs, custom albums, and elegant photo-mechanically printed books for the tourist. Most of the photographic compilations came to the Library as gifts from the descendents of the travelers whose journeys they evoke.

Background

Monuments of ancient Egypt and the Biblical world figured prominently in the early years of photography. French Academician François Arago (1786-1853) endorsed the new medium in 1839 claiming it would provide a labor-saving means "to copy the millions and millions of hieroglyphics which entirely cover the great monuments at Thebes, Memphis and Carnac, etc." Immediately artist-travelers took chemicals, cameras, and photographic plates of metal, and later glass into the regions around the southeastern shores of the Mediterranean Sea, to record the famous sights that had been known previously to Westerners only through the intervention of the artist's hand.

In addition to early photographic pioneers Du Camp, Salzmann, Robertson & Beato, and Frith, the collection includes work by image providers catering to tourist travelers in the last third of the 19th century, such as Arnoux, A. Beato, Bonfils, Lekegian, Sébah, and Zangaki. The selection offers resources for exploring Western impressions of the Middle East in that era through the lens of practitioners of the new medium of photography, and in turn through the expectations, preferences, and assumptions of its consumers.

Related Resources

Beelden van de Oriënt: fotografie en toerisme, 1860-1900 = Images of the Orient: Photography and Tourism, 1860-1900. (c1986)

Chevedden, Paul E. The Photographic Heritage of the Middle East: an Exhibition of Early Photographs of Egypt, Palestine, Syria, Turkey, Greece, & Iran, 1849-1893. (c1981) Occasional papers on the Near East; OP 1/3.

Dewitz, Bodo von. An den süssen Ufern Asiens: Ägypten, Palästina, Osmanisches Reich: Reiseziele des 19. Jahrhunderts in frühen Photographien.(1988)

Evans, Elaine Altman. Scholars, Scoundrels, and the Sphinx: a Photographic and Archaeological Adventure Up the Nile. (2000)

Graham-Brown, Sarah. Images of Women: the Portrayal of Women in Photography of the Middle East, 1860-1950. (1988)

Howe, Kathleen Stewart. Excursions Along the Nile: the Photographic Discovery of Ancient Egypt. (c1993)

Jammes, Marie-Thérèse. En Egypte au temps de Flaubert: 1839-1860, les premiers photographes. ([1980])

L'Orientalisme: l'Orient des photographes au XIXe siècle. (c1994)

Perez, Nissan N. Focus East: Early Photography in the Near East, 1839-1885. (1988)

Vaczek, Louis Charles and Gail Buckland. Travelers in Ancient Lands: a Portrait of the Middle East, 1839-1919. (c1981)

Collection Data

Description
The definitive photographic study of the bronze gates of Balawat.
Names
Pinches, Theophilus G. (Theophilus Goldridge) (1856-1934) (Writer of accompanying material)
Eames, Wilberforce (1855-1937) (Compiler)
Birch, Samuel (1813-1885) (Author)
Birch, Walter de Gray (1842-1924) (Author of introduction, etc.)
Dates / Origin
Date Issued: 1880 - 1902
Place: London
Publisher: Society of Biblical Archaeology
Library locations
General Research Division
Shelf locator: *OCM+++ 95-2096
Topics
Gates -- Assyria
Bas-reliefs -- Assyria
Shalmaneser III, King of Assyria, active 9th century B.C. -- Palaces
Genres
Photographs
Illustrations
Notes
Content: A unique copy compiled by Wilberforce Eames, containing the annotated page proofs of Birch's unpublished introduction; together with an original ink drawing of the Bronze Gates by T.G. Pinches.
Content: Samuel Birch originally wrote a 25 page introduction to, and description of, the photographs, only 4 pages of which were ever printed. When the fifth fascicle of this work was finally published in 1902, 7 years after Samuel Birch's death, it appeared with a revised description of the photographs and 3 pages of new introduction by Walter de Gray Birch.
Content: Wilberforce Eames purchased a bound copy of this work from Quaritch, containing the fascicles and the front wrapper to volume 1. Through diligent correspondence, he was able to find the covers to the remaining fascicles as well as 3 of the temporary printed leaflets to fascicles 1, 2, and 4. More significantly, he discovered the proofs for Samuel Birch's unpublished introduction and description containing pencilled corrections on the margins of nearly every page as well as an original drawing of the Bronze Gates by T.G. Pinches. Eames bound all the material together in a new volume, and attached a typewritten statement of his achievement to the front free endpaper. This volume is signed "W. Eames" in the upper right hand corner of the front free endpaper.
Physical Description
Extent: 5 fascs. in 1 v. illus., photos. 55 cm. [91 mounted photos. 27 x 39 cm. and smaller]
Type of Resource
Still image
Identifiers
RLIN/OCLC: 4580164
NYPL catalog ID (B-number): b12082409
Universal Unique Identifier (UUID): 8fb550b0-c6d2-012f-1902-58d385a7bc34
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